A three note bass line with noise. Principle notes are c, d#, f#. This means it doesn't easily fit in a major or minor key, but it would work in something largely in c minor or f# minor. This sample has a tale that fades out.
Part of the epsilon loopset, a set of complementary synth loops. It is in the key of c major, following the chord progression cmaj7 fmaj7. It is four bars long at 110bpm. It is normalized.
A member of the delta loopset, consisting of a set of complementary synth loops. It is in the key of c major, following the chord progression c7-f7-c7-f7. It is four bars long at 110bpm. It is normalized.
Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.
This is something what i'm thinking of for a while. It's not very musical but i'm trying to find how are this type of chords useful?. When i listen this chord it gives me some strange sad-happy mood that changes rapidly in my head.
An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.
I generated four square tones with increasing silence in between with audacity. The tones are the c major scale. It is very useful in old video games when you win or do something good.
Me playing on tanpura (an indian instrument), sometimes also called a tambura. It's tuned to c (either major or minor as it's first and fifth). Actually meant this to be a different file. I'll add that as well.
